
Giuliana Storino was born in Maduria (Ta) 1986 lives and
works in Milan.
She work in the field of visual arts on the border between
nature and artifice, between word and form, balance and
oscillation, with particular attention to painting and its
traditional supports. In her work she combines
interdisciplinary, research and rigorous, expressed through
tactile interactions with materials, and the generative
potential of manual activity. Memory and earthly rhythms,
technique and language, find the link, in the concept of
time, that includes: human evolution (I vertebrates 2016;
21), technique e technological (Human, 2016), combined
with the process of production of the work of art (Rocking
easel 2018; 2020). 1 One research placed around bodily
intelligence, which expresses itself through tactile
interactions with materials and potential generative of
manual rhythmic activity. Spacing between different
medium, translates the pictorial language to a dimension
architectural-environmental, favoring the body and
sensoriality. In your recent productions you investigate the
tékhne-loghìa, meaning it as the fundamental dimension of
world transformation; the influences they produce on man
and the indissoluble link to the production process of the
work of art. Experimenting with different materials and
languages she weaves space and time, image and illusion,
landscape and sound, body and architecture, calling into
question the human feeling.
Among the latest exhibitions dedicated to her are:
2022 Crac, Castel Nuovo Rangone (Mo);
2021 Admitted to the public selection WONDERFUL
Award in support of Italian art, archive dossier on Italian
art. Department of Culture of the Municipality of Florence,
in collaboration with MUS.E
2020 extended to 2021, The sun is new every day,
Archaeological Museum di Santa Scolastica, Bari;
2021 Touch the cloud that sleeps, a cura di M.Chiara Wan,
A60 Contemporary Art Space, Milano | Firenze | Pechino.
2020 Two cultures and space, curated by Qiu Yi, Qingdao
Space Sculpture Art Museum, China.
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